My final-year university project explored immersive audio as a central compositional tool. I created a portfolio of electronic work using Dolby Atmos, L-Acoustic’s L-ISA and Max for Live, focusing on how spatial mixing can be the forefront of a piece. The project is in 7.1.4, with extracts here downmixed to binaural (so the full effect will not be shown).
Each piece is a separate yet relevant exploration of spatial audio, aiming to forget the norms expected by stereo (sound only coming from one space) and create sound in a 3D world. They create and develop several immersive audio techniques, presented via experimental electronic and popular music.
For the 7.1.4 files, send me an email!
One of six pieces from the project.
Tech used:
Logic Pro, Logic Dolby Atmos renderer.
Vocals – Varispeed, UADx, Waves.
Sound creation – Vital, Logic, Analog Labs, Sky Keys
Processing – UADx, Valhalla, Fabfilter.
L-Isa
Logic Pro using Dolby Atmos Renderer
Ableton Live project
'Speaker randomiser' - each note played gives a different 'random' output.
